Parenting is the most difficult job in the world. There are numerous good intentions and a fair few bad outcomes. As parents, all we want is the best for our children, but in our pursuit to be helpful, we often become the opposite.
Nowhere is this more prominent in the idea Don Macpherson labels ‘Accidental Mind Coach’. This is when we affect the thinking or mindset of others in a negative way, without that being our intention. It is very easy to do. And while I’m not expecting you to be able to rid yourself of the problem immediately, just being aware of the idea could be the first step on the way to becoming a more effective person and parent.
The Sky Sports Commentary team are waxing lyrical about Joe Root; England’s premier batter is showing his class once more. He has notched up his 10,000th run, in what seems like record time, and, relieved of the captaincy and under the new test match stewardship of Ben Stokes and Brendan McCullum, appears to be playing some of his best cricket.
But then something is said in commentary that really piques my interest: “Joe Root always seems to play well at this ground. And that’s definitely ‘a thing’: you turn up at a ground and you just know you’re going to play well.”
The ground in question is Trent Bridge. The scene of Root’s most recent test match century, against New Zealand in the June of 2022. And while this is an idea that is not new or unusual, whatever sport you are playing, it is worth examining more closely.
Is this an actual thing? Does Trent Bridge have some sort of inherent power over Joe Root’s batting ability? For a mind coach working with the performance of sportspeople, the answer is simple and complex; it is ‘Yes’ and ‘No’.
Let’s deal with the most logical and obvious answer: ‘No’. Of course it doesn’t; that is preposterous. Trent Bridge, like any other international cricket ground in the world, has no inherent power at all. It’s an inanimate venue with no magic or mysticism ingrained in any part of it. Trent Bridge has no idea whom Joe Root is because Trent Bridge doesn’t have the capability of thought, cognisance or basic recognition of anything. It is a passive entity. It is powerless.
And yet, and yet, many of you will have read those comments from the commentary box, or heard them at the time, and nodded to yourself. Many of us have played sport, some of us may well have played sport to a very good level, and all of us will have recognised the concept that is being put forward. In a way, Trent Bridge does have a power, because Joe Root feels good playing at that ground, and when he feels good, he plays well. But, and this is the most crucial part, the power does not exist at Trent Bridge, it exists in Joe Root’s mind.
Joe Root is a brilliant batter. Capable of scoring lots of runs at any cricket ground in the world. But on some days, at some venues, he bats better. And understanding why (or how) is the nirvana all sportspeople are trying to work out the route to.
The problem with sport is that it’s not easy. And the reason it’s not easy is that most sports have tricky technical aspects, which require many layers of skill and judgement. Sportspeople practice for years before getting to the levels we see on TV: Malcolm Gladwell in his seminal book ‘Outliers’ put forward the idea of 10,000 hours of practice before expertise is achieved in a particular skill. Many sports have numerous skills within them, and being professionally good at any sport takes a great deal of applied effort and time. Rising to international level, the skill level is almost incomprehensible.
Through years of practice, once you have conquered these particular skills, you are looking to ingrain that skill into your body so that you can perform them ‘under pressure’. Now, pressure is an interesting concept because, as we were alluding to earlier, pressure only exists in the mind. It is an internal force: yes, it is definitely a thing capable of ruining performances, but is only produced by the mind of the person attempting the skill.
But let’s park that particular idea and return to the idea of your body being so practised to do something, it can produce it on demand. In Joe Root’s case, hitting a bowled cricket ball through the covers for four. He needs to be able to recognise the delivery from the bowler, move all the different parts of his body (feet, body, legs, arms, hands) in coordination with each other to get into position, at exactly the right moment, to allow the centre of his bat to meet the moving cricket ball; with the perfect angle and timing, so that maximum energy is transferred into the ball to exert it, at speed, through the gap in the field, with enough momentum to cross the boundary rope 85 yards away. To do all this, is, without question, a physiological masterstroke. And to complete this, he needs his mind to be completely in tune. In fact, he probably needs his mind to get out of the way; allow the right physiological neurons to fire and let his body do what he has ingrained into the ‘memory’ of every muscle he possesses.
We need to agree something before we go any further: we perform at our best when we are free of internal tension. When I talk to musicians, dancers, sportspeople, speakers, business executives, parents, school children, they all agree that they are at their best when they aren’t tense. They achieve their potential when they move freely, almost without thought. A tense, braced, strained body will not move as quickly, as fluidly, as purposefully as a relaxed body. This is why we see athletes shaking their bodies down ahead of a race or event. They are trying to stay loose. So that they can react to any and all eventualities.
Tension in the body comes from thought. Pretty much every physiological response we have comes from a thought in the mind. Danger signals emanate from the amygdala and trigger a physiological reply. The only way around this issue is to not have those thoughts. And one of the best places to be to avoid those thoughts is in a place of comfort and confidence. Trent Bridge has become, in Root’s mind, a place of comfort and confidence. In opposition, another ground may hold for him a memory of a bad dismissal or poor shot and so, danger is present in the mind of Joe Root; it interferes with his body by producing unwanted tension, and he doesn’t play as well, adding substance to the idea that that ground holds some sort of inherent power over his ability.
Don Macpherson’s background in Formula One would see this phenomenon at particular circuits. “This is my favourite track,” the driver would say, “I always perform well round here.” And of course, they invariably would. Free from any tension, their body, trained over years of expert practice, would perform at its peak, allowing the fallacy to continue.
In conclusion, I can understand why commentators, sportspeople and members of the watching public believe this is a thing: that there are certain spaces, venues, stadia, courses, grounds where you perform better. But it’s not a power inherent in something else. It exists in your mind. The trick is identifying the concept, removing the thought, and recognising that your skill or technical prowess is yours to control. That your talent is performed best when you get your mind and its invasive thoughts out of the way. You are brilliant and can be brilliant wherever and whenever you need to be, you just have to recognise that it is all in your control.
You have the power, don’t give it to the powerless.
I was fascinated to hear Eoin Morgan talk about how he approached that unforgettable final over in the ODI Cricket World Cup in 2019. I’m sure you don’t need reminding what had happened but to refer to it as one of the most enthralling sporting spectacles of our lifetime is not an understatement.
Morgan was amongst it. Trying to see the wood for the trees and, as he recalled it, trying to communicate with the bowler who would bowl England’s crucial sudden death over, Jofra Archer.
When speaking to Sky Sports about the situation, Morgan revealed that his first thought was his own breath. He wanted to control it; take some good steady breaths before approaching the young Archer. He recognised that the most important thing in that moment was not necessarily his words, but the way he came across. He wanted Archer to perceive an ease and comfort in his captain. In the swirling storm of the situation, Morgan did not want to panic his man, or create any unease in a player he knew needed to be at his best. And Morgan knew the key to this lay in managing and controlling his own breathing.
As I have spoken about at length, our breath is our superpower. As performers wanting to operate at our best, we need to have clarity of thought and ease of action. The breath governs all of these things. Taking a few moments to slow our heart rate, lower our blood pressure, to control our breathing and therefore, in this instance, our voice and delivery, is key.
If you get into the habit of working on your breathing on a daily basis, this process will become easier. When you really need it, your body will find the strong deep breath more easily. A bit like any other technique or skill, if utilised often, the muscle memory in your diaphragm will respond. Morgan’s sublime example is the reason why we should all practise our breathing.
If we want to perform at our best, if we want to present to others a picture of serenity and control, breath is the cornerstone.